Review: Baltimore Sun
"There is no mistaking the maturity of the Sinfonia Concertante for violin, viola and orchestra, written when Mozart was in his early 20s. The score offers a feast of melodic invention and, in the second movement, a peak of poetic thought.
Two of the BSO's star players, associate concertmaster Madeline Adkins and principal violist Lisa Steltenpohl, took the solo parts with confidence and style. Backed solidly by Stenz and the ensemble, they zipped nimbly through the outer movements; in the Andante, their expressive tenderness and well-blended tone yielded particular pleasure."